Uncle Acid And The Deadbeats

About Event

The brainchild of Kevin Starrs, Uncle Acid & The Deadbeats have been making extraordinary music since 2009. Always too bold and idiosyncratic to be easily pigeonholed, they emerged from an obscure corner of the labyrinthine British underground as purveyors of a new and overwhelmingly psychedelic take on the gritty rudiments of hard rock and downer blues. Steeped in both the wayward melodies, vocal harmonies and mischievous arrangements of psychedelic pop and the dissonant thunder and macabre imagery of proto-metal, Starrs’ greatest feat has been to create an entirely fresh sonic world from these most familiar ingredients.

Uncle Acid & The Deadbeats remain resolutely individualist. Masterfully echoing the magical atmospheres of heavy music’s turbulent past while sounding entirely unlike anything else available to human ears. Uncle Acid & The Deadbeats continues to be the deadliest show in town.

SUPPORT: The Wytches

Sometimes, you have to go backwards to go forwards. That’s precisely what The Wytches have done on Talking Machine, the Brighton band’s fifth full-length. In more ways than one, too. For a start, the title of the record was inspired by a book about Thomas Edison, whose nickname for gramophones was ‘talking machine’. Then there’s the music itself. While The Wytches – now consisting of Kristian Bell (lead vocals/guitar), Daniel Rumsey (bass), Mark Breed (keyboards/guitar) and Bhav Thaker (drums) – have had a rather anachronistic aspect to them since forming in Peterborough in 2011, there was a very intentional push to summon influences from the past for this album’s 11 songs.

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