Norwich Box Office - UEA LCR and Waterfront tickets

Frank Carter & The Rattlesnakes

Saturday 13 November 2021, 6:30pm - 10pm

The Nick Rayns LCR, UEA

Tickets

tickets are subject to a 10% booking fee

£27.50 (General)
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14+ (under 16s to be accompanied by an adult over 18)

“The greatest British rock star of this generation” Kerrang!

“Frank Carter was the weekend’s most compelling performer” Daily Telegraph

“Part bear-baiting, part-ringleader, but 100% showman… Frank sets the bar high for the rest of the weekend” LOUDER

Frank Carter and The Rattlesnakes’ opening night headline set at Download Pilot unleashed a ferocious release of pent-up energy and pure emotion that will live long in the memory of everyone present.  The band proved that they offer something quite unlike anyone else right now: a much needed burst of anarchic spirit as the shackles are removed, but also the articulation and wry wit to rally against injustice; plus a raw, eviscerating live show without the tropes of toxic masculinity. As lockdown eases, who better to soundtrack our new-found freedom?

Seizing on their moment in the spotlight, Frank Carter and The Rattlesnakes share their new single ‘Sticky’, which has just received its first play courtesy of Daniel P Carter at Radio 1. The single launches their eagerly anticipated new album, also titled ‘Sticky’, which will be released on October 15th. It builds on the momentum generated by their recent single, ‘My Town’ featuring Joe Talbot of IDLES, which is the biggest of their career to date and was B-listed at Radio 1.

Punching out of the speakers with a new directness and immediacy, the single ‘Sticky’ provides a flavour of what to expect from the album. It’s a shark-sharp-shock of visceral punk fury, as the snarling soul of Carter’s vehement voice transports us to the sweltering, closing time madness of a city after dark. He paints a scene of growing paranoia, desperately looking to delve into any vice to counteract the existential despair of feeling “midnight blue.” But there’s a sardonic, horrorshow humour at play too as he spits, “I’m no vampire but I want your blood.”

Carter commented, “‘Sticky’ is about that moment where you’re drunk at a bus stop at 3AM. You know there are no more buses, but you sit there anyway because you’re too fucked to figure out your options. Your kebab is on the floor, there’s a Stella in your pocket, and you’re woken up by a dirty little fox eating your shoes.”

It’s the perfect introduction to a record that breaks out of lockdown.  Produced by guitarist Dean Richardson for the first time, it solidifies the pair as one of the most exciting partnerships in British punk rock. Carter sounds like an untamed force of nature, embodying the impish menace of Keith Flint one minute and Sid Vicious the next.  Alongside Richardson, they’ve crafted a record which wastes no time in hitting hard: not a single song hits the four-minute barrier, and few even hit three.

‘Sticky’ is the sonic eruption of a year-plus of suppressed energy. While it’s an escapist experience, recent reality is never too far away. It’s there in ‘Go Get A Tattoo’, which was inspired by Carter’s experience of having to shut his first London based tattoo parlour, Rose of Mercy, almost immediately after it opened.  It’s just as present in ‘My Town’, a suburban vignette of society’s collective mental health quickly unravelling.

Carter and Richardson’s vision is augmented by the mob of underdogs and outsiders who join them.  As well as Joe Talbot, queer, underground electro-punk sensation Lynks complements Carter’s attack with a double-dose of surreal savagery on ‘Bang Bang’ and ‘Get A Tattoo’, while Cassyette brings a provocative punch to the sleazy rock ‘n’ roll of ‘Off With His Head’.  By the time Primal Scream’s Bobby Gillespie emerges on the closing ‘Original Sin’, his breathy voice feels like salvation for the transgressions that preceded it.

Carter sums it up succinctly: “Someone described it to me as ‘they felt their youth’ when they were listening to the record. When you make albums, those are the ones you want to make. Nostalgic, but classic. Timeless, and also modern.”

The album is now available to pre-order on a range of exclusive formats here. All pre-orders are rewarded with instant download of the title track and ‘My Town’.

Having closed their 2020 tour ‘The End of Suffering’ with a sold-out 10,000 capacity show at London’s cavernous Alexandra Palace, Frank Carter and The Rattlesnakes announce details of their first tour in support of ‘Sticky’. They will follow an extensive run of UK dates in November with two O2 Academy Brixton shows in January 2022, and then a European tour which spans thirteen countries.

To enter the venue customers will need to provide ONE of the following:

•             Show proof of a full vaccination – remember second dose must be at least 14 days prior to the event

Or,

•             Natural immunity – based upon a positive PCR test within 180 days of the event and the result on NHS App

Or,

•             A negative lateral flow test, same day as event – results registered www.gov.uk/report-covid19-result

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